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I use it for doing dialogue/sfx and it’s amazing for that as well. Massive workflow enhancement for orchestral-type production. This allows you to quickly record parts from the song window without switching contexts. Sequences can be record-enabled from the song window - A sequence can be set as active/record-enabled directly from the song window.
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The column based setup also allows for seamless mixing of time signatures. If you need to ‘insert a column’ for spacing then that’s done accurately and precisely with a single command. If you’re working with a bunch of 1-bar parts then you don’t need to mess with your zoom resolution anymore than if you’re working with 3 minute sequences.
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And most of our Grid and Polymer filters have a smoother response now for extreme resonance and modulation cases.Now it’s getting exciting. To make audio easier to read, waveforms are now shown in a Perceptual scale (or switch back to Linear in the Dashboard). Content sliding (and gain handles for audio) is available directly at the clip and event level with visual handles that appear while you work. Because maybe the best demo song is one you already made.Īnd some other improvements have come along too. And if you are coming from Auxy, you can now export your work directly as a Bitwig Studio project. Your clips and arrangements should make it over pretty cleanly, as well as VST plug-ins. (We do.) So on the import side, you can now import data from your FL Studio (FLP) and Ableton Live (ALS) files into Bitwig. No reason to complicate it.Ĭhances are you have more than one music program on your computer. Or pick your top-level group tracks to export stems in a flash. So select part of your arrangement and bounce it to one or more formats. With version 4, our export options have improved, allowing you to select from lossless formats (WAV & FLAC), familiar lossy options (OGG & MP3), and a new contender (OPUS). No matter which editing tools and devices you use, it all becomes audio in the end. Because while per-note control is fantastic, so is assigning a couple global controls to all of your tracks. Since Operators have a performance angle, the new Globals modulator came along as well, providing the current value of the Fill button, the position of the global crossfader, and more. The interface remains the same, but functions, labels, and in-app documentation - including the Interactive Help for our 300+ devices and modules - can be displayed in any of these languages. Bitwig Studio is now localized in Chinese, Japanese, and German.